Proceedings of the Tenth Seminar of the IATS, 2003. Volume 13: Art in Tibet
Issues in Traditional Tibetan Art from the Seventh to the Twentieth Century
- Editor Erberto Lo Bue
- Subjects: Asian Studies
- Keywords: art; iconography; history; Tibet
- Publication Year : 2011
- DOI: 10.1163/ej.9789004155190.1-348
- E - ISBN : 9789004216549
- Imprint: Brill
- Collections: Asian Studies E-Books Online, Collection 2011
- Price:
- $166.00 + Tax (if applicable)
The papers in this volume discuss issues related to Tibetan art from the 7th the 20th century, dealing with relevant religious and historical sources, religious painting and iconography, medical iconography, painting materials and schools, metalwork, ritual objects, photographic records, artists.
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Preliminary Material
- pp. 1–12 (12)
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A Prolegomenon To The Palladium Of Tibet, The Jowo (Jo Bo) Śākyamuni
- pp. 13–30 (18)
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Rme Ru Rnying Pa, An Extant Imperial-Period Chapel In Lhasa
- pp. 31–48 (18)
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On The Iconography Of Tibetan Scroll Paintings (Thang Ka) Dedicated To The Five Tathāgatas
- pp. 49–64 (16)
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Thang Kas Dedicated To The Vajradhātumaṇḍala. Questions Of Stylistic Connections
- pp. 65–74 (10)
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The Wall Paintings Of The Mgon Khang Of Lcang Sgang Kha
- pp. 75–84 (10)
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Liberation From The Pain Of Evil Destinies: The Giant Appliqué Thang Kas (Gos Sku) At Gyantse (Rgyal Rtse Dpal ’Khor Chos Sde)
- pp. 85–102 (18)
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New Discoveries About The Life Of Chos Dbyings Rdo Rje, The Tenth Karma Pa Of Tibet (1606-1674)
- pp. 103–110 (8)
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The Scarcely Known Temple Of Maṇi Lha Khang, Dechen County, Central Tibet: A Possible Bka’ Gdams Pa Foundation?
- pp. 111–126 (16)
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Sha Bo Tshe Ring, Zhang Daqian And Sino-Tibetan Cultural Exchange, 1941-1943: Defining Research Methods For A Mdo Regional Painting Workshops In The Medieval And Modern Periods
- pp. 127–148 (22)
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A Survey Report On A Carved Stone Tibetan “Go” Board: Newly Found Evidence Of The Tibetan Culture Of “Go”
- pp. 149–162 (14)
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A Brief Discussion Of The Origin And Characteristics Of The Decorative Design On Tibetan Rlung Rta (Prayer Flags)
- pp. 163–172 (10)
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The Ritual Significance Of Zan Par
- pp. 173–182 (10)
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Non-Sculptural Metalworking In Eastern Tibet 1930-2003
- pp. 183–194 (12)
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De’u Dmar Dge Bshes’s Method Of Compounding Colours: Lac-Dye Brown, Vermilion Brown And The Colours Derived From Them
- pp. 195–204 (10)
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On The Tradition Of The Vairocanābhisambodhi-Sūtra And The Garbhamaṇḍala In Tibet
- pp. 205–214 (10)
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The Buddhist Discourse On Gender In Tibetan Medical Iconography
- pp. 215–224 (10)
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A Present From The Tzar
- pp. 225–236 (12)
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A Newly-Discovered Old Perspective Drawing Of Lhasa
- pp. 237–246 (10)
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List Of Plates
- pp. 247–348 (102)
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