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Chapter Summary

This front matter section of the book titled Modernist Aesthetics in Taiwanese Poetry since the 1950s contains the table of contents, acknowledgements, list of illustrations, and a note on translation and spelling. Critics from Mainland China claim that Taiwanese modernist poetry is a continuation of the Chinese modernist tradition, whereas Taiwanese critics maintain that their modernist poetry departs from the May Fourth Chinese literary tradition. The critics from the Mainland and Taiwan seem to ignore the autonomy of aesthetics and stress its subordinate status. They also introduce their political stances in explaining the modernist movement in Taiwan.

Keywords: modernist aesthetics; Taiwanese poetry

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