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The Madder Stain

A Psychoanalytic Reading of Thomas Hardy

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The “madder stain” imprinted on Tess d’Urberville’s arm is part of a motif which runs through Hardy’s fiction. This book attempts to approach that unknowable kernel of <i>jouissance</i> by using Lacan’s concepts of object-gaze and object-voice—sometimes revisited by Žižek.

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