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Arte Allusiva: Pasquali and Onward

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Chapter Summary

Pasquali’s “Arte allusiva” presupposes the contemporary philological debate, especially in Germany, about the originality of Latin poetry. The theoretical aspect of the question, i.e. that works admittedly modelled on other works may possess their own artistic quality, had been widely discussed by the Italian school of aesthetics. Pasquali’s article combines these debates in an original approach. He grants to allusion the full dignity of an artistic process with its own specific prerogatives: allusion evokes a different, more ancient world in a modern text, and thus confronts tradition, recovering and reforming it for a contemporary setting. Allusion appears as peculiar to a production that confronts its own present with a past of artistic traditions possessing a marked significance for authors and public, typically the case for Hellenistic poetry and all Latin literature. Recent theories of intertextuality, and the intertextual analysis conducted today on ancient texts often make reference to Pasquali, reinterpreting the positions that he elaborated in different paths, which are here identified and briefly described.



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