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13 “Alle out of hir self”: Mary, Effective Piety and the N-Town Crucifixion 

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Chapter Summary

Critics have often noted the inclusion of Marian lament in medieval biblical drama and how playwrights draw upon the affective conventions of Planctus Mariae lyric poetry to develop a compelling narrative from bare scriptural sources. Whilst demonstrating an influential relationship with an affective tradition, most notably developed from a study of elements of Nicholas Love’s The Mirror of the Blessed Life of Jesus Christ, this essay argues that the portrayal of Mary in the N-Town Crucifixion play both performs affective piety and also importantly considers, challenges, and refines its use. In addition to providing a close study of the play and a comparison of N-Town with similar extant examples, the essay seeks to engage with Mary’s complex theological and literary reception, within which she has been described as demonstrating the impossible synthesis of both ‘perfection’ and ‘realism’.



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