Cookies Policy

This site uses cookies. By continuing to browse the site you are agreeing to our use of cookies.

I accept this policy

Find out more here

The Legacy of Crossdressing in Tanci: On A Histoire of Heroic Women and Men

No metrics data to plot.
The attempt to load metrics for this article has failed.
The attempt to plot a graph for these metrics has failed.
The full text of this article is not currently available.

Brill’s MyBook program is exclusively available on BrillOnline Books and Journals. Students and scholars affiliated with an institution that has purchased a Brill E-Book on the BrillOnline platform automatically have access to the MyBook option for the title(s) acquired by the Library. Brill MyBook is a print-on-demand paperback copy which is sold at a favorably uniform low price.

Access this article

+ Tax (if applicable)
Add to Favorites
You must be logged in to use this functionality

image of Frontiers of Literary Studies in China

This essay studies a tanci work, A Histoire of Heroic Women and Men (1905), as a case which reflects the intersecting themes of crossdressing, gender representation and the literary form of tanci. Written tanci, appropriated and redeveloped by educated women to tell stories of female crossdressers, scholars, and military leaders, offers a meaningful intervention in the dominant social and cultural discourses of womanhood in late imperial China. In the fictional realm, women’s acts of crossdressing transcend the Confucian ideological prescriptions of feminine identity, displaying their heroic efforts to pursue autonomy in a patriarchal culture. This essay will analyze how these examples of crossdressing interact with and modify current critical accounts of gender and sexuality. A Histoire, in particular, holds a place of prominence in late imperial Chinese literature because of its revelation of the troubled relationship between gender construction, narrative agency, and women’s identity. The text manifestly destabilizes conventional attitudes toward gendered identity, yet simultaneously exposes the social and practical challenges of such temporary and often imagined transgressions, which are exercised by incarcerating the feminine and borrowing the male subjective position through transvestite performance.


Full text loading...


Data & Media loading...

Article metrics loading...



Can't access your account?
  • Tools

  • Add to Favorites
  • Printable version
  • Email this page
  • Subscribe to ToC alert
  • Get permissions
  • Recommend to your library

    You must fill out fields marked with: *

    Librarian details
    Your details
    Why are you recommending this title?
    Select reason:
    Frontiers of Literary Studies in China — Recommend this title to your library
  • Export citations
  • Key

  • Full access
  • Open Access
  • Partial/No accessInformation