Full text loading...
This site uses cookies. By continuing to browse the site you are agreeing to our use of cookies.
I accept this policy
Find out more here
Torn Flesh: Julia Kristeva and the Givenness of the Stranger
No metrics data to plot.
The attempt to load metrics for this article has failed.
The attempt to plot a graph for these metrics has failed.
The full text of this article is not currently available.
Brill’s MyBook program is exclusively available on BrillOnline Books and Journals. Students and scholars affiliated with an institution that has purchased a Brill E-Book on the BrillOnline platform automatically have access to the MyBook option for the title(s) acquired by the Library. Brill MyBook is a print-on-demand paperback copy which is sold at a favorably uniform low price.
1079-9265
You must be logged in to use this functionality
The lived body—or the flesh—in phenomenological thought, has always served to locate the individual unity of personhood, or perceptual experience, or at least one’s objective unity in the lived world. It has been what makes me “who” I am, my individuating facticity. Jean-Luc Marion, in particular, describes the capacity of the flesh to exceed all forms of phenomenological manifestation as a saturated phenomenon. The aim of this essay is to question this status of the flesh by way of an investigation into the work of Julia Kristeva’s account of the foreigner and maternity. It is argued that the status of the flesh as an individuating process is rather a dividing process, which is mediated through my relation to the other. A new Kristevan ethic is sketched.
back to top