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The Naming of Painting

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image of Research in Phenomenology

This article shows that the duality of work (entity/image) and title that for the most part constitutes our experiences of paintings today is sustained and occurs out of a performative event, a certain physicality and rhythm that mark the finitude of visible-intelligible presence. These enactments of finitude figure a certain concealment, and therefore a loss, operative in the presence of work and title. The discussion ultimately indicates physicality, finitude, and loss in painting and provides insight concerning the question of language by inviting a broader understanding of it in the light of these same issues.


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