Cookies Policy
X

This site uses cookies. By continuing to browse the site you are agreeing to our use of cookies.

I accept this policy

Find out more here

The Naming of Painting

No metrics data to plot.
The attempt to load metrics for this article has failed.
The attempt to plot a graph for these metrics has failed.
The full text of this article is not currently available.

Brill’s MyBook program is exclusively available on BrillOnline Books and Journals. Students and scholars affiliated with an institution that has purchased a Brill E-Book on the BrillOnline platform automatically have access to the MyBook option for the title(s) acquired by the Library. Brill MyBook is a print-on-demand paperback copy which is sold at a favorably uniform low price.

Access this article

+ Tax (if applicable)
Add to Favorites

image of Research in Phenomenology

This article shows that the duality of work (entity/image) and title that for the most part constitutes our experiences of paintings today is sustained and occurs out of a performative event, a certain physicality and rhythm that mark the finitude of visible-intelligible presence. These enactments of finitude figure a certain concealment, and therefore a loss, operative in the presence of work and title. The discussion ultimately indicates physicality, finitude, and loss in painting and provides insight concerning the question of language by inviting a broader understanding of it in the light of these same issues.

Loading

Full text loading...

/content/journals/10.1163/15691640260490629
Loading

Data & Media loading...

http://brill.metastore.ingenta.com/content/journals/10.1163/15691640260490629
Loading

Article metrics loading...

/content/journals/10.1163/15691640260490629
2002-09-01
2016-10-01

Sign-in

Can't access your account?
  • Key

  • Full access
  • Open Access
  • Partial/No accessInformation