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From Representation to the Biopolitical?

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A Review of Gender, artWork and the global imperative: A materialist feminist critique by Angela Dimitrakaki

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This review article considers the position of Angela Dimitrakaki’s 2013 book Gender, artWork and the global imperative: A materialist feminist critique within the field of Art History and feminist politics.

Affiliations: 1: Art History Department, Faculty of Arts and Social Sciences, The Open University amy.charlesworth@open.ac.uk

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1. Biemann Ursula, Lundstrom Jan-Erik 2008 Mission Reports: Artistic Practice in the Field. Video Works 1998–2008 Umeå, Sweden Bildmuseet, Umeå University
2. Braidotti Rosi 2006 Transpositions: On Nomadic Ethics Cambridge Polity Press
3. Campbell Tom 2013 Dyslexia: The Government of Reading Basingstoke Palgrave
4. Day Gail 2011 Dialectical Passions: Negation in Postwar Art Theory New York Columbia University Press
5. Dimitrakaki Angela 2007"‘Materialist Feminism for the Twenty-First Century: The Video Essays of Ursula Biemann’" Oxford Art JournalVol 30 2 205 232 [Crossref]
6. Dimitrakaki Angela 2011"‘Labour, Ethics, Sex and Capital: On Biopolitical Production in Contemporary Art’" n-paradoxa: international feminist art journalVol 28 5 15
7. Dimitrakaki Angela 2013 Gender, artWork and the global imperative: A materialist feminist critique Manchester Manchester University Press
8. Dimitrakaki Angela, Perry Lara 2013 Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions Liverpool Liverpool University Press
9. Eisenstein Hester 2009 Feminism Seduced: How Global Elites Use Women’s Labor and Ideas to Exploit the World Boulder, CO. Paradigm Publishers
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11. Federici Silvia 2004 Caliban and the Witch: Women, the Body and Primitive Accumulation New York Autonomedia
12. Fraser Nancy 2009"‘Feminism, Capitalism and the Cunning of History’" New Left ReviewVol II 56 97 117
13. Gimenez Martha E. 2000"‘What’s Material about Materialist Feminism? A Marxist Feminist Critique’" Radical PhilosophyVol 101 18 28
14. Harvey Sylvia 1982"‘Whose Brecht? Memories for the Eighties: A Critical Recovery’" ScreenVol 23 1 45 59 [Crossref]
15. Heath Joanne 2008"‘Women Artists, Feminism and the Museum: Beyond the Blockbuster Retrospective’" Feminism Reframed: Reflections on Art and Difference Kokoli Alexandra M. Newcastle upon Tyne Cambridge Scholars
16. Juhasz Alexandra 1994"‘“They Said We Were Trying to Show Reality – All I Want to Show Is My Video”: The Politics of the Realist Feminist Documentary’" ScreenVol 35 2 171 190 [Crossref]
17. Lazzarato Maurizio 2012 The Making of the Indebted Man: An Essay on the Neoliberal Condition Jordan Joshua David Cambridge, MA. The MIT Press/Semiotext(e)
18. Molesworth Helen 2000"‘House Work and Art Work’" OctoberVol 92 71 97 [Crossref]
19. Mulvey Laura 1975"‘Visual Pleasure and Narrative Cinema’" ScreenVol 16 3 6 18 [Crossref]
20. Rosler Martha 2004"‘Video: Shedding the Utopian Moment’" Disruptions and Decoys: Selected Writings, 1975–2001 Cambridge, MA. The MIT Press
21. Smith Terry 2009 What Is Contemporary Art? Chicago University of Chicago Press
22. Vogel Lise 2013 [1983]"Marxism and the Oppression of Women: Toward a Unitary Theory" Historical Materialism Book Series Leiden Brill
23. Wilson Siona 2015 Art Labour, Sex Politics: Feminist Effects in 1970s British Art and Performance Minneapolis University of Minnesota Press [Crossref]
http://brill.metastore.ingenta.com/content/journals/10.1163/1569206x-12341549
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/content/journals/10.1163/1569206x-12341549
2017-02-14
2018-06-21

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