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Towers, Birds and Divine Light: The Contested Territory of Nasrid and “Mudéjar” Ornament

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This essay questions the validity of “Mudéjar” as the designator of a viable stylistic or aesthetic category, instead employing topoi such as birds, thrones, towers and divine light in order to trace a complex network of ‘visual polemics’ surrounding the issue of the Incarnation which transcends established boundaries of style and periodization.


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Affiliations: 1: Department of Art History and Visual Culture, Cornell University Ithaca, NY 14853-7901 USA


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