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Stuccoes from the Early Norman Period in Sicily: Figuration, Fabrication and Integration

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This study examines fragments of stucco reliefs from three churches located in Sicily and southern Italy, Santi Pietro e Paolo at Itàla, San Giuliano at Caltagirone, and Santa Maria de Terreti near Reggio Calabria. The churches and stuccoes date from the late eleventh century and reveal unexpected connections and conflicts among cultures, artists and patrons during the first years of Norman rule. Stucco, a material that is rarely included in discussions of European art of the Middle Ages, merits serious consideration; in this article, it helps illuminate such major art historical questions as the status of “Islamic” Sicily and the genesis of the polyvalent art forms associated with the later Norman kings.

Affiliations: 1: Department of Art, University of Toronto, Sidney Smith Hall jill.caskey@utoronto.ca Room 6036, 100 St George Street, Toronto, ON, Canada M5S 3G3

10.1163/157006711X561730A
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/content/journals/10.1163/157006711x561730a
2011-01-01
2018-10-15

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