Cookies Policy
X

This site uses cookies. By continuing to browse the site you are agreeing to our use of cookies.

I accept this policy

Find out more here

On Memory, Transmission and the Practice of Building in the Crusader Mediterranean

No metrics data to plot.
The attempt to load metrics for this article has failed.
The attempt to plot a graph for these metrics has failed.
The full text of this article is not currently available.

Brill’s MyBook program is exclusively available on BrillOnline Books and Journals. Students and scholars affiliated with an institution that has purchased a Brill E-Book on the BrillOnline platform automatically have access to the MyBook option for the title(s) acquired by the Library. Brill MyBook is a print-on-demand paperback copy which is sold at a favorably uniform low price.

Access this article

+ Tax (if applicable)
Add to Favorites
You must be logged in to use this functionality

image of Medieval Encounters

Abstract Memory played a key role in the cross-cultural transmission of medieval architectural knowledge amongst patrons, designers, ateliers and audiences from different religious, cultural and architectural traditions. Two aspects of architectural memory are here posited as playing a role in the dissemination of architectural forms and styles: a “cultural memory” that evoked specific, earlier sites of ideological or other significance to patrons; and a “pragmatic memory” of learned, practical skills that was transmitted amongst masons themselves. These interlocking yet distinct aspects of memory in architecture are not unique to cross-cultural transmission, but they had particular impact when deployed by patrons and masons across physical or conceptual borders. Whether introduced by practical means or for associative reasons, new forms further moved across regions with artisans, who proffered (and learned) new modes of working while traveling. Examination of the Cistercian Monastery of Zaraka in Stymphalia, Greece and other churches of the thirteenth-century, post-Crusade Peloponnese and greater Eastern Mediterranean demonstrate how both aspects of architectural memory can be read in the physical architectural record. This methodology also re-inscribes masons into a history of the cross-cultural creative process, showing that builders were vital in the processes of transmitting and interpreting forms.

Affiliations: 1: Art History Department, University of Illinois at Chicago MC201, 935 W. Harrison Street, Chicago, IL 60607 USA

10.1163/15700674-12342121
/content/journals/10.1163/15700674-12342121
dcterms_title,pub_keyword,dcterms_description,pub_author
6
3
Loading
Loading

Full text loading...

/content/journals/10.1163/15700674-12342121
Loading

Data & Media loading...

http://brill.metastore.ingenta.com/content/journals/10.1163/15700674-12342121
Loading

Article metrics loading...

/content/journals/10.1163/15700674-12342121
2012-01-01
2016-12-10

Sign-in

Can't access your account?
  • Tools

  • Add to Favorites
  • Printable version
  • Email this page
  • Subscribe to ToC alert
  • Get permissions
  • Recommend to your library

    You must fill out fields marked with: *

    Librarian details
    Your details
    Why are you recommending this title?
    Select reason:
     
    Medieval Encounters — Recommend this title to your library
  • Export citations
  • Key

  • Full access
  • Open Access
  • Partial/No accessInformation