Cookies Policy
X

This site uses cookies. By continuing to browse the site you are agreeing to our use of cookies.

I accept this policy

Find out more here

Full Access A Garden of Possibilities in Manuchehri’s Spring Panegyrics

No metrics data to plot.
The attempt to load metrics for this article has failed.
The attempt to plot a graph for these metrics has failed.
The full text of this article is not currently available.

Brill’s MyBook program is exclusively available on BrillOnline Books and Journals. Students and scholars affiliated with an institution that has purchased a Brill E-Book on the BrillOnline platform automatically have access to the MyBook option for the title(s) acquired by the Library. Brill MyBook is a print-on-demand paperback copy which is sold at a favorably uniform low price.

A Garden of Possibilities in Manuchehri’s Spring Panegyrics

  • HTML
  • PDF
Add to Favorites
You must be logged in to use this functionality

image of Journal of Persianate Studies

The eleventh-century Persian poet Manuchehri Dāmghāni began his career in northern Iran and became established as a leading panegyric poet of the Ghaznavids. The panegyric qasida was a major literary articulation of Persianate cultural hegemony. Most of Manuchehri’s pane-gyric qasidas begin with a nasib about the natural world. The nature description as an introduction to panegyric is an integral part of the panegyric poem and its expression of cultural values, but it is also at odds with the praise section that follows it. This project explores how Manuchehri deploys elaborate rhetoric and imagery in the description of nature to offer a commentary on the possibilities of patronage relationships.

Affiliations: 1: University of California, Davis

10.1163/187471610X505924
/content/journals/10.1163/187471610x505924
dcterms_title,pub_keyword,dcterms_description,pub_author
6
3
Loading

The eleventh-century Persian poet Manuchehri Dāmghāni began his career in northern Iran and became established as a leading panegyric poet of the Ghaznavids. The panegyric qasida was a major literary articulation of Persianate cultural hegemony. Most of Manuchehri’s pane-gyric qasidas begin with a nasib about the natural world. The nature description as an introduction to panegyric is an integral part of the panegyric poem and its expression of cultural values, but it is also at odds with the praise section that follows it. This project explores how Manuchehri deploys elaborate rhetoric and imagery in the description of nature to offer a commentary on the possibilities of patronage relationships.

Loading

Full text loading...

/deliver/18747094/v3n1_s1.html;jsessionid=9Ua_LA6CMHfxaPmQIX2_gHzi.x-brill-live-03?itemId=/content/journals/10.1163/187471610x505924&mimeType=html&fmt=ahah
/content/journals/10.1163/187471610x505924
Loading

Data & Media loading...

http://brill.metastore.ingenta.com/content/journals/10.1163/187471610x505924
Loading
Loading

Article metrics loading...

/content/journals/10.1163/187471610x505924
2010-07-01
2016-12-10

Sign-in

Can't access your account?
  • Key

  • Full access
  • Open Access
  • Partial/No accessInformation