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After the Solidarity and Consensus Debates: Habermas, Rorty and Fraser as Pragmatist Sources for Activist Dialogical Art

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This paper poses a relationship between pragmatist understandings of intersubjective communication and long-term “dialogical art” practices promoting social change. Art historian Grant Kester contends that two dialogical art projects by Suzanne Lacy and Austrian Art collective WochenKlausur reflect Habermas’ theory of communicative action through which the “better argument” is universally validated. Kester simultaneously acknowledges such projects inculcate non-competitive modes of intersubjective exchange that appear contrary to Habermas. I look at the “philosophical narrative” debates between Richard Rorty and Habermas to suggest that Rorty’s eschewal of Habermasian rationalization in favor of affective modes of contingent solidarity, taken with Nancy Fraser’s understanding of enmeshed public/private discourse in the context of feminist counterpublics, draws out the political-ethical orientation of activist dialogical art practices.

Affiliations: 1: Merrimack College, Visual and Performing Arts, 315 Turnpike Street, North Andover, MA 01845, 617.694.5488 johngiordano2@gmail.com; giordanoj@merrimack.edu

10.1163/18758185-01404003
/content/journals/10.1163/18758185-01404003
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1. Bernstein Richard J. “"What Is the Difference That Makes a Difference? Gadamer, Habermas, and Rorty".” psa: Proceedings of the Biennial Meeting of the Philosophy of Science Association 1982 (Vol 1982): 33159. http://www.jstor.org/stable/192429.
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/content/journals/10.1163/18758185-01404003
2017-11-17
2018-06-23

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