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Tra lyra e aulos. Tradizioni musicali e generi poetici , edited by Bravi, L., Lomiento, L., Meriani, A., Pace, G.

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Affiliations: 1: Università degli Studi di Bologna


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1. Bing P. 1988 The Well-Read Muse Göttingen Vandenhoeck & Rupprecht [Crossref]
2. Boardman J. 1956"Some Attic fragments. Pot, plaque and dithyramb" JHSVol 76 18 25 [Crossref]
3. Breed B.W. 2006"Time and Textuality in the Book of the Eclogues" Fantuzzi M., Papanghelis Th. Brill’s Companion to Greek and Latin Pastoral Leiden/Boston Brill 333 368 [Crossref]
4. Cannatà Fera M. 1990 Pindarus. Threnorum fragmenta Romae Edizioni dell’Ateneo
5. Heinemann A. 2013"Performance and the Drinking Vessel: Looking for an Imagery of Dithyramb in the Time of the ‘New Music’" Kowalzig B., Wilson P. Dithyramb in Context Cambridge CUP 282 309
6. LeVen P. 2010"New Music and Its Myths: Athenaeus’ Reading of the Aulos Revolution (Deipnosophistae 14.616e−617f)" JHS Vol 130 35 47
7. LeVen P. 2014 The Many-Headed Muse. Tradition and Innovation in Late Classical Greek Lyric Poetry Cambridge CUP
8. Pöhlmann E. 2017"Ambrosian Hymns. Evidence for Roman Music of Late Antiquity?" GRMS Vol 5 1 104 122 DOI: 10.1163/22129758-12341292
9. Rossi L.E. 1998"Orazio, un lirico greco senza musica" SemRomVol 1 163 181
10. Tessier A. 2017 Tractatus de metris anonymus e cod. Vaticano Graeco 896 Trieste EUT (also available online: <>)
11. West M.L. 1992 Ancient Greek Music Oxford Clarendon Press

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