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Abstracting the Set: Monet’s Cathedrals and Stable Mental Concepts from Serial Pictorial Artworks

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The ability to form stable mental representations (or concepts) from a set of instances is fundamental to human visual cognition and is evident across the formation of prototypes, from simple pseudo-random dot patterns through to the recognition of faces. In this paper we argue that the cognitive and perceptual processes that lead to the formation of stable concepts are also important in understanding spectatorship of a certain class of serial artworks that are composed of multiple discrete but related pictures. This article considers the processes that enable the formation of stable mental representations in relation to a series of paintings of Rouen Cathedral by Claude Monet. The implications of understanding these processes for the spectatorship of this class of serial artworks are discussed.

Affiliations: 1: 1Winchester School of Art, University of Southampton, Park Ave, Winchester SO23 8DL, United Kingdom; 2: 2Lancaster Institute for the Contemporary Arts, Lancaster University, Bailrigg, Lancaster LA1 4YW, United Kingdom; 3: 3Centre for Visual Cognition, Department of Psychology, University of Southampton, University Rd, Southampton SO17 1BJ, United Kingdom

10.1163/22134913-00002030
/content/journals/10.1163/22134913-00002030
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/content/journals/10.1163/22134913-00002030
2015-03-03
2017-11-20

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