Cookies Policy
X

This site uses cookies. By continuing to browse the site you are agreeing to our use of cookies.

I accept this policy

Find out more here

Abstracts from the 5th Visual Science of Art Conference (VSAC)

No metrics data to plot.
The attempt to load metrics for this article has failed.
The attempt to plot a graph for these metrics has failed.
The full text of this article is not currently available.

Brill’s MyBook program is exclusively available on BrillOnline Books and Journals. Students and scholars affiliated with an institution that has purchased a Brill E-Book on the BrillOnline platform automatically have access to the MyBook option for the title(s) acquired by the Library. Brill MyBook is a print-on-demand paperback copy which is sold at a favorably uniform low price.

Access this article

+ Tax (if applicable)
Add to Favorites
You must be logged in to use this functionality

Berlin, Germany, August 25th–27th 2017

image of Art & Perception

This special issue of Art & Perception for the first time comprises the abstracts of talks and posters presented at a Visual Science of Art Conference (VSAC). This year’s, 5th installment of VSAC took place in Berlin, August 25th-27th, with 117 contributions selected for presentation and more than 250 participants. This issue includes an editorial by Claus-Christian Carbon and Joerg Fingerhut that introduces the contributions and discussions at the conference. The abstracts of the keynotes presented by Jesse Prinz and Irving Biederman are then followed by those of the peer reviewed presentations: talks/symposia (in order of presentation) and posters (in alphabetical order). The talks are clustered around central topics in the sciences of the arts, such as aesthetic universals vs. cross-cultural differences, some works are focusing on physiological measures in the aesthetic sciences, or on visual statistics of art images, others address the important issue of ecological valid testing of aesthetic experiences. The contributions to this year’s VSAC demonstrated a clear broadening of topics at the intersection of the visual sciences and the arts. Many presentations went beyond the focus on immediate sensory responses to artworks and simple evaluative states in order to also discuss the typical richness and elaborative quality of art experience that psychologists, philosophers, art historians, sociologists, and others recognize as an intellectually engaged, historically situated, and culturally varied phenomenon. The reprint of these abstracts therefore also aims to represent a cross-section of current research and debates in the field.

10.1163/22134913-00002099
/content/journals/10.1163/22134913-00002099
dcterms_title,pub_keyword,dcterms_description,pub_author
10
5
Loading
Loading

Full text loading...

/content/journals/10.1163/22134913-00002099
Loading

Data & Media loading...

http://brill.metastore.ingenta.com/content/journals/10.1163/22134913-00002099
Loading

Article metrics loading...

/content/journals/10.1163/22134913-00002099
2017-12-12
2018-05-20

Sign-in

Can't access your account?
  • Tools

  • Add to Favorites
  • Printable version
  • Email this page
  • Subscribe to ToC alert
  • Get permissions
  • Recommend to your library

    You must fill out fields marked with: *

    Librarian details
    Your details
    Why are you recommending this title?
    Select reason:
     
    Art & Perception — Recommend this title to your library
  • Export citations
  • Key

  • Full access
  • Open Access
  • Partial/No accessInformation