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Toward a Maoist Dream of the Red Chamber: Or, How Baoyu and Daiyu Became Rebels Against Feudalism

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Mao Zedong’s views on literature were enigmatic: although he coerced writers into “learning the language of the masses,” he made no secret of his own enthusiasm for Dream of the Red Chamber, a novel written during the Qing dynasty. In 1954 this paradox appeared to be resolved when Li Xifan and Lan Ling presented an interpretation that saw the tragic love story as a manifestation of class struggle. Ever since, the conception of Baoyu and Daiyu as class warriors has become a powerful and unquestioned cliché of Chinese literary criticism. Endowing aristocratic protagonists with revolutionary grandeur, however, violates a basic principle of Marxist orthodoxy. This article examines the reasons behind this position: on the one hand, Mao’s support for Li and Lan’s approach acts as a reminder of his early journalistic agitation against arranged marriage and the social ills it engenders. On the other hand, it offers evidence of Mao’s increasingly ambiguous conception of class.

Affiliations: 1: Postdoctoral Researcher, Academia SinicaTaiwan jdkam@posteo.de

10.1163/23521341-12340049
/content/journals/10.1163/23521341-12340049
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/content/journals/10.1163/23521341-12340049
2017-07-25
2018-06-20

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