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Elsewhere, Within Here: The Politics of Home

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Affiliations: 1: Graduate researcher, York University, Toronto, Ontario, Canada,


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1. Balibar Étienne. Politics and the Other Scene. London: Verso, 2002.
2. Belting, Hans, Buddensieg, Andrea, and Weibel, Peter, eds. The Global Contemporary: The Rise of New Art Worlds. Cambridge, MA: MIT Press, 2013.
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4. Hassan, Salah M. “Contemporary ‘Islamic’ Art: Western Curatorial Politics of Representation in Post-9/11.” Public lecture given at ocadu, Toronto, Ontario, Canada, 17 April 2012.
5. Lederman, Marsha. “Master of Bronze Parviz Tanavoli Strives for Recognition on Home Soil.” The Globe and Mail, 20 February2015. Accessed 1 June 2016. .
6. Mamdani Mahmood. Good Muslim, Bad Muslim: America, the Cold War, and the Roots of Terror. New York: Pantheon, 2004.
7. Massumi Brian, ed. The Politics of Everyday Fear. Minneapolis: University of Minnesota Press, 1993.
8. Shabout Nada, “Framing the Discipline of Contemporary Art of the Arab World through the Press,” Contemporary Art from the Middle East: Regional Interactions with Global Art Discourses, ed. Hamid Keshmirshekan (London: I.B.Tauris, 2015), 5168.
9. Pachkhede Narendra. “On Conversation: Eratao/intimare—A response to Antonia Hirsch, Kim Simon, Melanie O’Brian.” Unpublished public discussion, tpw Gallery Toronto, 22 October 2015.
10. Radhakrishnan Rajagopalan. A Said Dictionary. West Sussex: Wiley-Blackwell, 2012.
11. Said Edward. The World, the Text, and the Critic. Cambridge, MA: Harvard University Press, 1983.
12. Smith, Terry. “The State of Art History: Contemporary Art,” Art Bulletin 92:4 (2010): 366–383.
13. Verjee Zainub,. “"The Performing Identities of Muslims".” In The Relevance of Islamic Identity in Canada: Culture, Politics, and Self, edited by Aziz Nurjehan, 127140. Toronto: Mawenzi House, 2015.

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